Women in Hamlet: Ophelia & Gertrude

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1 Women in Hamlet: Ophelia & Gertrude

1.1 Gertrude: The Queen’s Limited Power

1.2 Ophelia: The Tragic Victim

1.3 Women as Victims in Hamlet

**Women in Hamlet: Ophelia & Gertrude**

Shakespeare presents two significant women in Hamlet, Gertrude and Ophelia, who reflect the limited power and victimization of women in a patriarchal society. While Gertrude, as the Queen of Denmark, holds a position of influence, she is still defined by her relationships with men. Ophelia, on the other hand, is completely controlled by the men around her and ultimately becomes a tragic victim. Their roles highlight gender expectations, power dynamics, and the consequences of female dependence on male authority.

Gertrude: The Queen’s Limited Power

As the mother of Hamlet and wife of King Claudius, Gertrude seems to have power, but her authority is overshadowed by the men in her life. She marries Claudius soon after King Hamlet’s death, leading Hamlet to see her as weak and immoral:

“Frailty, thy name is woman!” (Act 1, Scene 2)

This line reflects Hamlet’s frustration, not just with Gertrude but with women in general, viewing them as easily swayed and dependent on men. However, Gertrude’s motivations remain unclear. Does she remarry for security, or is she truly in love with Claudius? Shakespeare never gives her a soliloquy, keeping her inner thoughts hidden.

Although Gertrude shows concern for Hamlet, she fails to protect him from the political schemes around them. Her death—accidentally drinking the poisoned wine meant for Hamlet—symbolizes her lack of control over her own fate:

“The drink, the drink! I am poisoned.” (Act 5, Scene 2)

Her tragic end reinforces the idea that women in Hamlet are powerless in the face of male ambition and conflict.

Ophelia: The Tragic Victim

Ophelia is another example of female powerlessness in Hamlet. She is manipulated by her father (Polonius), her brother (Laertes), and Hamlet, each of whom imposes their own expectations on her. Polonius orders her to reject Hamlet’s advances, treating her as a tool for his own political gain:

“I would not, in plain terms, from this time forth / Have you so slander any moment leisure / As to give words or talk with the Lord Hamlet.” (Act 1, Scene 3)

Ophelia obeys, showing how women in Hamlet are expected to be submissive. Hamlet, believing she has betrayed him, treats her cruelly, famously declaring:

“Get thee to a nunnery!” (Act 3, Scene 1)

This outburst, filled with both anger and heartbreak, highlights the way Hamlet projects his frustration onto Ophelia, further victimizing her.

Her descent into madness and eventual drowning represents the ultimate fate of a woman who has lost all male guidance. Her final songs and erratic behavior suggest deep emotional suffering:

“He is dead and gone, lady, / He is dead and gone.” (Act 4, Scene 5)

Ophelia’s death can be seen as a result of her lack of agency, as she is unable to define her own identity outside of the men in her life.

Women as Victims in Hamlet

Both Ophelia and Gertrude suffer because of the actions and decisions of men. Gertrude is caught between Hamlet and Claudius, while Ophelia is manipulated by her father and Hamlet. Their stories reflect how women in Elizabethan society were often powerless, expected to obey men and suffer the consequences of male ambition. Although Hamlet is a play centered on political intrigue and revenge, its portrayal of Gertrude and Ophelia shows that the tragedy also extends to women, whose voices remain unheard and whose fates are controlled by the men around them.

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